吳迺菲
1989年出生於台灣南投，現居台北。
作品多行為藝術、網路計畫及其他參與互動式的計劃為主，透過探討語言結構及其他溝通模式，關注翻譯與詮釋、溝通與中介、認識論、感官經驗與認知基模等 議題，並試圖討論我們如何系統化對於世界的認知及他我之間的關係。近一年來的 創作多藉由參與式計劃，邀請群眾參與，進而紀錄集體卻也同時具有個體性的意義產製過程。
簡歷-中文 (2022年4月20日更新)
作品集-中文 (2021年4月30日更新)
NAIFEI WU
Born in Nantou, Taiwan, 1989. Lives and works in Taipei.
Naifei is an emerging visual artist whose works include performance, web projects, and other process-based practices. Centering around topics such as languages, empirical experiences, and cognitive models, her practice aims to investigate issues critical to our contemporary (digital) society with the use of image, sociolinguistic tools, and technology (data science and machine learning). An interpersonal approach is often employed under an open-ended framework that invites participation, whereas verbal/written, audio or sometimes visual documentation of the process is one of the main forms to be shown in exhibitions with purposefully minimal aesthetic treatments.
Artist CV (updated on 15th Oct, 2020)
Education
- MA Fine Art, Chelsea College of Arts and Design, UAL, London, UK, 2015-2016
- Fine Art (Basisklasse), under Professor Gutmann, Muthesius Kunsthochschule, Kiel, Germany, 2014-2015
- BA Advertising and BA English Literature, National Chengchi University, Taiwan, 2008-2013
Award/Grant
- 2018 Taiwan Tech X Art Innovation Project (as an artist collective), National Taiwan Museum of Fine Arts
- SHINE Emerging Artist Program 2017, Light Night Leeds and Quays Culture Lightwaves
Solo Exhibition
2023
- Tender Fragments, Moriii森手木工迴廊店, Taichung, Taiwan
- 疏影風光, D/S ONE GALLERY, New Taipei, Taiwan
2020
- Please Fill in the Blanks— Naifei Wu Solo Show, Yao Space, Taichung, Taiwan
2018
- 3sth.net (as an artist collective), National Taiwan Museum of Fine Arts, Taichung, Taiwan
- 不透明的字 Words are not Transparent, I/o studio屏東縣青創聚落, Pingtung County, Taiwan
- Naifei Wu | "Semear" In Progress (Zaratan AIR | Open Studio), Zaratan - Arte Contemporânea, Lisbon, Portugal
2017
- Words are not Transparent, F.K.Kollektiv - FotoKlub Kollektiv, Berlin, Germany
Selected Group Exhibition
2023
- Lefties Do it Right, Sinpink Pier, Kaohsiung, Taiwan
- HEMLINGBY3:platform, Carp Gallery, Taichung, Taiwan & Taipei Artist Village, Taipei, Taiwan
2021
- Taiwan Annual Online Expo, Taipei, Taiwan
2019
- Festival Múltiplo 2019, Zaratan - Arte Contemporânea, Lisbon, Portugal
- CHANGE: For better or worse. For richer or poorer, Hundred Years Gallery, London, UK
2018
- Light Night Leeds 2018, Leeds, UK
2017
- Lightwaves 2017, Quays Culture, Salford, Greater Manchester, UK
- All In, EIGEN + ART Lab and Axel Springer Plug&Play Accelerator, Berlin, Germany
- Equivocations, House of Killing, Berlin, Germany
- Taiwan Annual, Taipei, Taiwan
- Glitch-- The Aesthetics of Failure, Isherwood Gallery, the Old Courts, Wigan, UK
2016
- Postgraduate Summer Show, Chelsea College of Arts, London
- MA Fine Art Interim Show, Chelsea College of Arts, London
- Liminal States, The Gallery on the Corner, London
- Blind Plural, Hundred Years Gallery, London
- Conversation in Progress, Mills Centre Gallery, London
Residency
- January - February 2018
Zaratan - Arte Contemporânea, Lisbon, Portugal
- May - August 2017
Artist-in-Residence @ Axel Springer Plug and Play Accelerator in collaboration with EIGEN + ART Lab
Artist Talk/Workshop
- December 2019
Workshop Language & Cityscape c/ Naifei Wu, Teresa Rego Studio, Porto, Portugal
- October 2019
Workshop: Language and Cityscape - Naifei Wu, Hundred Years Gallery, London, UK
- March 2018
藝術家座談——不透明的字@吳迺菲個展 ｜ Artist Talk - Naifei Wu, I/o studio屏東縣青創聚落, Pingtung County, Taiwan
- January 2018
Artists Talk > Naifei Wu & Jillian Roberts, Zaratan - Arte Contemporânea, Lisbon, Portugal
- August 2017
Artist talk : Naifei Wu with Zack Helwa and Johanna Neuschäffer, F.K.Kollektiv - FotoKlub Kollektiv, Berlin, Germany
- March 2016
Blind Plural: Artists in Conversation, Hundred Years Gallery, London
Bibliography
- Prof. BKH Gutmann (complier), Basis, das ist es 2014/15, Muthesius Kunsthochschule 2015, pp 44, 45
- Liberty Antonia Sadler (complier), Glitch-- The Aesthetics of Failure, 2017, pp 46, 47